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Visitors (Richard Franklin, 2003)
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This movie is getting no care for at IMDB, and I’m not terribly clear why. Perhaps the raters over there are ragged to more highbrow fare; I watched this the week after watching Ghost Ship, and comparison between the two seems unavoidable. In every method, Visitors comes out on top.
During a round-the-world solo sailing urge, Georgia Perry (Pitch Black’s Radha Mitchell) runs into a tranquil patch (we eventually gain out she’s objective a few days from the raze of the urge at this time, so she’s already been at sea for roughly six months with only a cat for company) . While stuck in the doldrums, Perry has to fight off a bout of isolation-induced insanity where she hallucinates visitations from essential people in her life– her unimaginative mother (Susannah York), her ailing father (Prisoners of the Sun’s Ray Barrett), and various others, while having to concern about running across a pirated tanker, and having her only contact with other humans arrive from radio contact with her fiancee Luke (Blade: Trinity’s Dominic Purcell) and Purchase (Christopher Kirby, recently seen in Star Wars: Revenge of the Sith), the radioman on a freighter who are coincidentally on the same course.
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Radha Mitchell is not only drop-dead exquisite, but is one of those exceptionally talented and yet underrated actors who never seen to catch nearly enough work (while Julia Roberts, at twenty million a flick, is working more than ever) . It is her performance that truly carries this narrate, though many of the minor cast also turn in reasonable performances (Purcell, especially, is appropriately slimy, and Susannah York delivers the kind of role that explains why she was so in seek information from in the seventies) . The film’s climax begs comparison with that of Ghost Ship, and while it’s cheesy, in comparison it’s wildly understated; the denouement is a tad on the “girl-power!” side, but is serene thoroughly fitting.
A fun design to destroy ninety minutes, and well worth it for a seek of Radha Mitchell’s charms. *** ½
Well here we have a psychobabble insanity movie from our righteous friends in Austrailia. A woman is sponsored to skim around the world by herself. A high seas cabin fever sets in and she is attacked by her uninteresting mother (suicide) and pirates. Along for the scramble are her mother’s friends, a tattooed aboriginee, and her recently deceased father. Her only companion is a cat that talks attend to her. Her communication with the outside world is a SAT phone and the radio. I won’t give away the ending, but I was a miniature disappointed. It was like the director wanted to sell out and give it a wimpy ‘American style chick flick ending’.
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As you contemplate this film you will spy that you consume an extraordinary amount of time looking at this woman’s armpits and up her nostrils.
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