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Many years ago, long before James Bond became the high-tech hero of the movie plot, there were a position of though-provoking books written by a gentleman named Ian Fleming. These books were about a agreeable British Intelligence agent, code name 007. With due regard to Sean Connery and the equally effective Timothy Dalton, George Lazenby, the star of On Her Majesty’s Secret Service, is by far the closest of the Bond actors to the character of the books. There is nothing charming or even particularly likeable about the James Bond of print. He is a totally non-descript character who can easily go into any crowd; a cold-blooded killer who will execute his mission regardless of the cost. Connery came halt in Dr No, Tim Dalton even closer in License to Raze but both are too physically fine to accurately depict 007. In these regards, Lazenby excels in his protrayal of Bond.
This epic is a enthralling, emotional anecdote of an agent committing the ultimate sin, getting eager with another individual interested in a mission. All of the normal Bond components are present; gadgetry, high-speed chases, lots of explosions and lots of blooming girls. This one goes one step farther, giving us a truly malevolent villain (played brilliantly by Telly Savalas) and Bond’s only fair romantic interest (played equally brilliantly by Diana Rigg) .
The action is non-stop, the locations are sparkling, the soundtrack one of the best. The climax is one of the most gut-wrenching ever placed on film.
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On Her Majesty’s Secret Service has often been placed at the very bottom of the long list of James Bond vehicles. It doesn’t belong there. This is an outstanding film with a truly outstanding cast. Give it a try. You won’t be disappointed.
When other Bond fans first talk to me the the expect they always ask is “What do you believe of O.H.M.S.S.? “. The reply to that is not a simple one.
I first saw the film in the cinima in 1973 and was surprised, given all the negative reports I’d heard about it, how pleasurable it was. Although very long by Bond standards the film moves along at a elegant clip and has the capacity to capture the viewer. Although several of the earlier films in the series follow the main residence lines from the novels, from which they win their names, this is the only atempt by EON to film an Ian Fleming book as written.
Watching the film on DVD all these years later was a joy. The transfer is surperb the, sound crisp and short of watching a pristine print in a film theatre this is the best vision of this film your ever going to ogle. The additional features particularly the director’s commentry earn this a must for any of the many fans that this film has.
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O.H.M.S.S has a mammoth “survey” and the deep purple colour that is in the opening sequence, continues in the titles and is seen through out the rest of the film in various guises. There was a kind of chic fashion honest at the destroy of the sixties after the hippies and before the seventies gave style a terrible name; this is one of the few films that captures that time. Unbiased sight at the gash of James Bond’s suits or the dresses customary by the girls in Piz Gloria; it’s nostalgia perhaps but I admire it!
George Lazenby is element of the film that most people seem to loathe and the fact that he started out as a model is usually sited as proof of his lack of acting ability; well actually Sean Connery started out as an art college life model. At least George kept his clothes on in the “Grand Fry” ads.! But seriously, for the most share he looks immense in the action sequences and when he has to play the normal affable, laughing in the face of worry, side of Bond he’s at least acceptable; but when he has to step out side of that, for instance when he confronts Tracy in his hotel room early on in the film that he becomes less convincing. Compare that with Sean’s Bond when he confronts Tatiana in the express in “From Russia With Worship” and you’ll observe what I’m getting at. But actually his attempt is better than Roger Moore’s confrontation with Rosie in “Live And Let Die”. The only peril is that each line Lazenby speaks seems to be made up of several different takes, all recorded at different sound levels, which makes him sound as if he has a perminant attack of hiccups; composed you do bag extinct to it. If Lazenby lacks experience his deficiency is compenceted by the standard of acting from the rest of the cast and the obliging dialogue in this film; for example, Moneypenny’s devastating build down when Bond attempts to resign the Service “What did you put a question to, a knighthood? ” is unforgetable and one of the few times Lois Maxwell’s character gets the upper hand in the whole series.
The structure of this film is very different from the others in the series; Bond spends the first half of the film meeting and falling in like with Tracy. He then locates Blofeld, discovers his conception and only then does the film shift up into the frenetic journey that we more normally associate with the Bond films. The ski and car move sequences that follow are terrifically challenging and compare favourably with the best in the series. Then we have the final confrontation with Blofeld and inevitable distruction of Piz Gloria. Incidentally Lazenby’s encounter with the St. Bernard dog after the bob sleigh meander was apparently ad-libbed and for an untrained actor he does it better than many RADA graduates I can contemplate of.
Peter Hunt, more than anyone else, was the man brought this film together as a first time director it is a smart debut. For instance his choice of Simon Ravan to add dialoge to the scenes between Blofeld and Tracy lifts the whole film. Almost every shot seems to assume his feel for the book. It is only fitting that the opening shot of the film, absent perform the VHS version, which containes his reflection in the brass name plate of “Universal Exports” has been restored to this print.
Many action film fans abominate this recount well they’d better stick to “Things Retain Exploding III” which at least is better than “Things Support Exploding II” although not as worthy as “Things Maintain Exploding” although it lacks the characterization of the other two. The rest of us can devour the most literate of the James Bond films. It’s not better or worse than any of the others fair different.
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