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Shakespeare in Fancy is a film for anyone who loves art and literature
with a passion. Aside from being a handsome appreciate account, the film
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itself is a “esteem letter” to the arts. I can only describe
it as a “golden” film, because that’s what I judge of when I
picture scenes from the movie…pure gold. I savor Shakespeare, and
the radiant screenplay manages to form a flesh and blood person out
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of such an enigmatic historical figure - it may not be precise, but it’s
a lot of fun nonetheless. The acting is superior - Gwyneth Paltrow is
glorious, Judi Dench is improbable, Geoffrey Race is hilarious, and
Joseph Fiennes is the hottest thing to advance along since his older
brother! I cherish the ending especially - Twelfth Night is my favorite
Shakespearean play, and the last line unbiased speaks volumes: “For
she will be my heroine for all time, and her name will be Viola.”
Perhaps the best thing about the film is the design it blends comedy and
tragedy together in such a bittersweet scheme.
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One final note: I too
was surprised that this film won Best Relate, because I also loved
Saving Private Ryan. Both films were cinematic masterpieces of very
different kinds, and both were equally generous. I’m jubilant the Academy
shook things up a puny.bfounded while the final credits rolled. Marc
Norman and Tom Stoppard must have loved their subject matter,
researched the period with zeal as well as having the ability to
create a challenging romantic drama.
The whole thing was created
out of the barest glimmer of fact concerning Shakespeare’s life. It
focuses on the gap between his marriage in London as a young man and
his eventual return to London as a successful playwright. The theory
states that “suffering is the mother of creativity”, so
Young William must have had a colossal deal of hardship indeed. Hence,
the opportunity for a fantastic movie to be made.
A handsome
young Shakespeare is introduced to us during a sad period of
writer’s block. He is portrayed as any other writer we could imagine;
poor, horny, suffering from professional jealousy and not particularly
respectable. He’s over-committed to two theatres and selling vaporware
for all he’s worth. Poorly named vaporware at that, “Romeo and
Ethyl the Pirate’s Daughter”.
But fate has more in store
for this hopeful scribbler than even he would dream. Enter stage left,
the care for of his life, in the guise of an actor, shyly auditioning for
a share in his unique play. (Shades of Blackadder here) . He is immediately
taken by this youthfull stage strutter because of a seeming preference
for Bill’s work over that of the leading playwright of the day,
Christopher Marlowe.
This interest takes him to the actor’s
home, where Tomas Kent transforms himself into Viola De Lesseps the
refined daughter of a wealthy merchant. This magic act is only
possible because of the artful protection offered by Viola’s nurse and
part time confidant, played by Imelda Staunton. And as with Clarke
Kent, no one can penetrate the cunning disguise of Mr Thomas Kent,
except for a agreeable ferryman. And it is this very ferryman that puts
William on the moral path in his pursuit of the lady Viola.
And so we secure the privilege of watching William Shakespeare give
birth to the Renowned Romeo and Juliet as a counterpoint to his torrid
and risky affair with a woman betrothed to Lord Wessex; one of the
most influential and considerable men in the city. The ups and downs, ins
and outs of this relationship, and its eventual demolish, are all
delightful to contemplate as well as being grist for the mill of
Shakespeare’s future plays.
For anyone that has even a passing
familiarity with the Bard’s work or impartial likes a first-rate romance, take
the time to luxuriate in this special movie. In fact, purchase a few times
because it gets better with every viewing.
I honestly did not know what to demand when I first sat down to observe “Shakespeare In Adore.” Perhaps that was for the best, since this film teems with unexpected moments and twists, turning literary history upside down and giving it a clever and bawdy twist.
Gywenth Paltrow plays a young noblewoman who is expected to be demurely betrothed, but who wants none of the life ahead of her. She yearns for the theater, and, in her headstrong, ambitious drive, dresses like a boy to regain a portion in Will Shakespeare’s newest drama. Of course, the two topple in cherish (hence the title!) and their duplicity leads to area complications that procure more and more detestable. Literary jokes abound, but you don’t need to know a whit about Shakespeare to delight in this romp. This is a romantic comedy cloaked in Elizabethian times, an anachronism that is thoroughly satisfying.
Paltrow’s Viola is gutsy, shining, and torn, a portrayal that deservedly earned her an Oscar. Joseph Fiennes makes a lovable, bumbling Will Shakespeare. The two indicate a chemistry that brings the witty script to life and elevates this film to a level above most romantic comedies.
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This film should appeal to a wide range of viewers - even those who hated studying Shakespeare in school.
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