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Even with all the controversy surrounding Mel Gibson last year (and doesn’t it seem as if each recent week brings another celebrity meltdown? ), I tranquil looked forward to seeing “Apocalypto.” Why? If for no other reason–the subject matter, subtitles, and lack of star power made it a fearless choice for a major studio release. Films of this nature generally go into diminutive distribution to perform an audience and well-known word of mouth before expanding, if they ever do. But with Gibson at the helm, “Apocalypto” debuted with remarkable fanfare and backing objective in time to be considered for 2006’s Academy Awards. For some reason, though, I detached missed “Apocalypto” at the theaters. I have heard every description imaginable from those that have seen the film–from the “best movie ever” to “excessively violent and disturbing.” And while I wouldn’t go to either of those extremes, “Apocalypto” is certainly an accomplished adventure record.
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Set in extinct Mayan times, “Apocalypto” is essentially the harrowing shuffle of one man, a youth named Jaguar Paw (a convincing Rudy Youngblood) . Living a simple and isolated existence, his tribe are very at home within the forest. One day, the unthinkable happens. They are attacked by another group with apparent intentions of enslaving whomever they don’t waste. Youngblood’s wife and son are stranded in an underground well, many others are murdered, and Youngblood is among a dozen or so who are rounded up and marched out in bondage. The subsequent race leads to a fantastical temple sequence, where it becomes sure that the prisoners are not to become slaves–but sacrifices. The remainder of the film deals with how Youngblood can run this space. The temple scenes feature a cast of thousands, ritualistic and brutal slayings, and a mob mania that is unpleasant and believable. Racing against the clock to set his wife, Youngblood must speed serve through the jungle–where all he has to benefit him are his cunning and an almost spiritual connection to his surroundings. The action is practically nonstop, it’s inventive, and it is beautifully staged. Worthy of “Apocalypto,” therefore, is absolutely riveting and wildly piquant.
For the purists who will debate the film’s historical accuracy, I will neither assure or confirm the legitimacy of the events that transpire within “Apocalypto.” While there do seem to be some liberties taken with the historical timeline (as evidenced by a surprise in the ending–which I enjoyed despite its implausibility), I really don’t assume that this film aspires to be a “historical document.” Gibson has made an adventure myth using a Mayan backdrop. The feel and discover of his report stop as pleasant as possible to the timeframe, however, I never interpreted this report as a “upright” record. Guess what? Fictional liberties are taken in every motion represent. Otherwise every motion characterize would be a documentary–and even documentaries have an angle or slant which acquire them less than “proper” in many cases. “Apocalypto,” at heart, is an effective action record that makes spicy spend of its Mayan setting.
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I guess “Apocalypto” is not for the squeamish–however, the violence depicted is by no means new by fresh film standards. You can peek distinguished worse in today’s “torture” cinema, those films that pass for scare with unusual audiences. I boom what makes “Apocalypto” more smart is that the violence is in a believable context. There are some beheadings and some hunting scenes, but the brutality is intrinsic to the record “Apocalypto” is telling. I don’t maintain serious minded filmgoers will be set off by seeing some savagery depicted in a film about customary Mayan cultures–it’s not as if this is a Merchant/Ivory production with tea parties and witty banter.
I do recommend “Apocalypto.” Beautifully filmed, the technical merits of the film are beyond reproach. The cinematography, accept, and editing all enhance this spirited epic. I imagine these elements really shone shimmering for those who saw this on the broad hide. A substantial action describe that is for adults–check it out. KGHarris, 03/07.
A welcome change of spin for us who feel Hollywood keeps making the same describe over and over again. The first allotment of this film is the most unconventional but also hard to endure as only awful things seem to happen to the characters but once Act II arrives and the walk begins, grab on!. I can’t remmember the last time a film had my stomach in knotts like this one.
Some people here in Mexico have complained about the film’s historical accuracy since by the time the Spanish arrived in America, the Mayan civilization had already been taken over by other groups. In any case, Hollywood films are not the best plan to learn about history.
When Braveheart came out over 10 years ago I remmember a friend telling me: “who would have belief Mel Gibson was a right director”, 2 films later he keeps surprising me with his directing skills. It’s too dreadful the public has let themselves be convinced by the media that he’s the most imperfect person to ever near out of Hollywood which is absurd. I guess they feel the more they discredit him the more they discredit “The Passion of the Christ”.
Great work Mel!
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