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Movie Title: William Shakespeare’s Romeo + Juliet William Shakespeare’s Romeo + Juliet is available for streaming or downloading. Click Here to Stream or Download William Shakespeare’s Romeo + Juliet |
I mediate a lot of reviews of this film have been unduly harsh. I have had a attractive amount of Shakespearean exposure (I was an English major in college), and I am actually impressed with Baz Luhrmann’s interpretation of the text. Some people are so blinded by the seeming erudite stuffiness of Shakespeare’s work that they forget what this play is really about. `Romeo and Juliet’ is a teenage melodrama! With that said, this film works well.
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* To inaugurate with, Leonardo DiCaprio and Clare Danes advance off honest lawful as the “star-crossed lovers.” They handle their lines - perhaps - a bit awkwardly, and their key scenes are overacted. But as far as I’m concerned, their somewhat `poor’ performances are actually perfect. In the reality of the play - Romeo and Juliet’s behavior (though arguably passionate) is less than proper. They are young, fickle, and pudgy of hormones, and what might seem like acts of heart-felt care for and desire are actually honest arresting explorations of subversive behavior.
* Many have lamented that the dialogue in this film (essentially) mirrors the new text … but changing the text (in any major device) would be a tall mistake. Shakespeare’s plays are not notorious because they have a colossal myth line - they are famed because of the astounding writing. It would, therefore, be pointless to modernize the dialogue. Shakespeare’s plays ARE the dialogue.
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* Although this film - compared with other renditions of the play - is decidedly new, clear elements do contribute to a sort of timely ambiguity. The cars, guns, drugs, and music suggest 1996 (or thereabouts), whereas the gothic mansions, the ball, the feuding families, and the oppressive presence of the Church seem somewhat anachronistic. I consider this ambiguity speaks to the universality of Shakespeare’s work. Does it even matter when this play takes station? Have hot-blooded teenagers changed that great over the years?
* Lastly, the ambience of Lurhmann’s film is intoxicating: zipping, choppy cinematography, an over-abundance of gaudy electric lighting, and an gripping soundtrack. It’s very curious in an adolescent sort of plan. Anyone who does not gather the scene - where DiCaprio is dragging on a cigarette against an orangey sunscape, with Radiohead’s “Talk Exhibit Host” slowly pulsing in the background - sentimentally sexy - well, you must not remember what it’s like to be 15.
All in all, this is an ingenious come to a classic text - not to mention an engrossing film.
William Shakespeare’s classic `Romeo + Juliet’ is probably one of the most influential pieces of literature ever recorded. You can feel its presence and influence breathing life into unbiased about everything we read, see or listen to these days. With a account this classic, this well-known to unique cinema it becomes something a bit wary to tackle it at its core and `remake’ it from scratch. One may be a tad hesitant to embrace its fresh shape and earn and rightfully so. When you gawk at the track represent for remakes it becomes apparent that in general what was once golden should be left well enough alone. In Romeo + Juliet’s case though this is a reimagining so magical it surpasses the new and becomes a momentous share in the history books of cinema. Yes, Baz Luhrmann single handedly breathes a whole unique life into this adaptation, handing to his audience a masterful and experimental film that never lets us out of its win.
The first thing that Luhrmann did suitable was stick to the recent text. A lot of people initially balked at the fact that the dialog was not updated along with the setting but I felt that artistically it was a powerful grander feat to have the current dialog kept intact. The fact that each and every actor slips into this draw of speaking fluently and without deliver is an ode to some titanic talent indeed. No one seems out of station of phoning it. Each and every actor handles the difficult wording marvelously. The next thing Luhrmann did proper was trashing his setting. What I mean by this is that he didn’t go the easy route and originate this posh and radiant but rather he played everything down, creating an almost gritty and dirty feeling to the surroundings. This is the future and the future is bleak.
The best thing that Luhrmann did though was casting Leonardo DiCaprio and Claire Danes in the lead roles. At the time DiCaprio was slowly becoming a credible actor and Danes was objective becoming known. Neither of them were quote-unquote household names or completely bankable yet but they both had proven they could act. Here though we accept to inspect how well. To this day I smooth firmly acquire that this is Leonardo’s finest performance. Both he and Danes masterfully say their characters. Never has Romeo or Juliet felt so alive, so dependable and so relatable. Their tragic care for affair is so tantalizing, so enthralling and so breathtaking. There are moments between them of pure beauty and strength that I’m appalled their performances didn’t garner more awards attention.
The rest of the cast is equally as impressive, especially the likes of Harold Perrineau (of `Lost’ fame) who plays Romeo’s best friend Mercutio. His performance is queer and flamboyant and adds a lot to the atmosphere of the film. John Leguizamo is memorable as Tybolt, Juliet’s cousin, and Pete Postlethwaite is astounding as Father Laurence. Paul Sorvino stands out for me as Juliet’s father Fulgencio Capulet. His performance is brutal and intense and sends chills down my spine in scenes.
`William Shakespeare’s Romeo + Juliet’ has never looked as great as it does here, telling the account of forbidden cherish and tragic circumstance that brings two families to their knees and teaches us a significant lesson about forgiveness and tolerance. Baz Luhrmaan outdoes himself here, delivering a novel twist on a trustworthy classic complete with a ravishing color palate and an impressive soundtrack that adds layers of emotion, whether soft and touching or crisp and moving (one reason this `Music Edition’ is so worth the upgrade) . It’s not very often that the remake stands above its source material but Luhrmann’s masterpiece is impartial that film.
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