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The epigraph at the beginning of the book, “On the Beach” is fragment of a poem from T.S. Eliot: “this is how the world ends; not with a bang, but a whimper.” I read the book first, then watched the movie, and would recommend both to everyone. The movie is a gorgeous portrayal of the book, and the cast is outstanding. Fred Astaire is a staunch surprise in this, his first dramatic performance. Ava Gardner is gorgeous and believable as the drunk, but in denail, Moira. My well-liked characters are Tony Perkins and actress who plays his wife. The scene in which Perkins explains to his wife how to utilize the suicide tablets sent chills up and down my spine. Two things really stand out for me in this movie: The first being the consume of “Waltzing Matilda.” At times it’s played with all the fanfare of a national anthem; at other times, it sounds funereal. The exhaust of “Waltzing Matilda” reaches its climax during a scene in the movie when Moira takes Captain Towers trout fishing, mistakenly thinking they could pick up away to the mountains for some private time outdoors before the nuclear cloud arrives in Australia and elegant powerful eliminates humankind. Instead of peace and tranquility, they gather drunken revelers…and throughout this revelery, they’re singing “Waltzing Matilda.” It’s comic at first…then increasingly annoying…until one last tenor sings the final verse solo. I don’t reflect I’ve ever seen a finer scene is a film. The impact of that verse, the design it’s tenderly sung, and the shared stare between Ava Gardner and Gregory Peck—I will never be able to listen to “Waltzing Matilda” again without tears in my eyes. The second thing is although the subject matter and the tone of the movie are serious, there are a few funny moments, which for me, build the movie even more realistic. On the Beach is a classic…and anyone who loves film, and worries about the future of our children…should explore and ponder…could this really happen? The reply is a shocking “yes”.
This is the film that for me captures the horror I felt as a child, growing up at the height of the Frigid War; it is bleak and intense, with scenes that are forever etched in my mind. It’s one of the large films of that era (”Seven Days in May” and “Fail Ample” are others) that I can study repeatedly, and their power and impact are never diminished.
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Based on Nevil Shute’s best seller, and brilliantly directed by Stanley Kramer, the utilize of sound effects combined with Ernest Gold’s Oscar nominated get is very effective. Sometimes the simplest noise station against complete silence is ominous, and gives the feeling of the desolation of empty cities.
As time runs out, people try to avoid the “morbid discussion” of what awaits them, and some fabricate the most of those precious days, weeks and months, like the elderly scientist Julian (in an exceptional performance by Fred Astaire), who completes his dream of being a speed car driver.
Both strong and tender, Gregory Peck is wonderful as Dwight Towers, the commander of a submarine, who has concern accepting that he is alive, while his family are victims of the “horrid war”. The woman who falls in treasure with him is Ava Gardner, who has spent far too distinguished time being consoled by a bottle of brandy. The region is filled out by Anthony Perkins and Donna Anderson, a young couple facing the fact that their baby has no future.
In the leisurely 50s and early 60s, the scenario in this film was all too real; we face other dangers now, but there was something truly chilling about those Icy War years, and this film vividly brings assist the memory of them. Total running time is 134 minutes.
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