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The John Ford collection is a situation of vintage Ford films,without John Wayne while and I would NOT have included Mary of Scotland,and would have preferred either The Plough and the Stars,or The Fugitive (Henry Fonda) or the underrated Two Rode Together,this is level-headed a very sterling film space.There is a separate Ford-Wayne collection,which I will review latter.The five films,in this collection are: The Lost Patrol;The Informer;Cheyenne Autumn:Mary of Scotland:Sergeant Rutledge: The following are my reviews of each individul film.
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1.THE LOST PATROL-TENSE ANTI-WAR CLASSIC!*****
A British army Patrol,during the time of WW1, in the Mesopotamian desert gets lost,after their commander is killed,and he has left no notes or orders,in regard to their mission or true dwelling.With
their leader slow the dinky group’s bellow falls to Sergeant Victor McLaglen.After a sprint of unknown length,the patrol finds an oasis,and it is here where most of the action takes region as they are pinned down by (mostly unseen) Arab fighters.It is here where we really accumulate to meet the men and procure to know their hopes and fears.The other men include J.M.Kerrigan(as Quincannn-probably the most frequently conventional name in a Ford film!),Reginald Denny (Brown),Wallace Ford( suitable as Moretti),Boris Karloff,(,outstanding as Sanders-a religious fanatic),and Douglas Walton,as callow youth,who when he leaves for the service he relates that that was the ONLY time he saw his mother wail.This is (to me) one of the dramtic highlight so the film,when we seek 19 year mature Walton(about 25,in steady life) pours his heart out to McLaglen.This scene,even more so than others shows the futility of war. Sizable direction,a broad screenplay(Dudley Nichols,Ford’s favorote writer,at the time-THE INFORMER-STAGECOACH),a pretty Max Steiner collect,and an advantageous DVD transfer. A Substantial ANTI-WAR AND(mildly) ANTI-IMPERIALIST FILM,AND A MUST Stare!
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MARY OF SCOTLAND:KATHERINE HEPBURN-FREDRIC MARCH **1/2
Katherine Hepburn,in her only Ford film,is Mary, Queens of Scots.This motion recount is derived from a Maxwell Anderson Play,and a screenplay by Dudley Nichols.To me of what I’ve seen of Ford’s thirties films,”Mary of Scotland” it is Ford’s least-good films of the period.Watchable,but forgettable.Two and one half stars.
THE INFORMER:VICTOR MCLAGLEN’S FINEST HOUR *****
The chronicle of “the troubles”,in Ireland, in told in a very somber diagram in the John Ford classic “The Informer”,with Victor McLaglen(a Ford regular) giving an AA winning performance in the title role.McLaglen plays Gypo Nolan,a down and out Dubliner,who is without money,and because of this and having been recently “dismissed” from the IRA(Irish Republican Army’freedom fighters,hoping to win a united and totally free Ireland,with no British ties whatsoever) and because he is also in jeopardy of losing his girlfried Margot Grahame,(outstanding) as he is in a greatly strained emotional site,and when wondering the streets comes upon a reward poster for “IRA murderer”Frankie McPhillip(Wallace Ford-no relation to the director) .The reward is worth enough so that both Gypo and his girl can accumulate passage to America.A short while latter Gypo accidentally runs into Frankie,an old-fashioned friend,and they have a short conversion about Frankie being on the rush,how Frankes’s mother is,and the reasons why Gypo was “sacked” from the(in this coversion a “Quincannon” is mentioned) IRA,after the conversion ends the wheels commence to turn in Gypo’s head and he wonders over to the “Dismal and Tans”situation(the Murky and Tans,so-called becuse of their uniforms,are special British militiary(police) men assigned to Ireland when “the troubles” are at their height,”"Up the Irish” or in this film,”Up the Rebels” types may gaze at the B&T’s as THE Valid TERRORISTS,but that’s for another discussion) and reluctanly tells the “Brits” that Frankie will be at his mother’s.After Frankie is killed in a shoot-out,Gypo is given disdainfully(even the B&T’s don”t like Informers) his money and goes.Drinking,fighting,and partying are on the night’s program for Gypo,but his drining is only a hide,to cloak his emotional breakdown from his atrocious deed.The IRA figures out what went on,in regard to Frankie’s death, and Gypo is a doomed man!
Other supporting members of the cast are very generous to satisfactory,J.M.Kerrigan,Preston Foster,Donald Meek,Joseph (then Sauers) Sawyer,and Una’Connor as Frankie’s mother who is a bite “over the top” early in the film,but comes through poignanly at the coclusion.From a LiamO’Flaherty legend,an wonderful Dudley Nichols screenplay,with a haunting Max Steiner musical regain,and a very crisp and obvious DVD transfer.The ONLY MINUS NO DVD COMMETARY-A MUST Inspect!!
CHEYENNE AUTUMN-DESPITE FLAWS ALMOST A CLASSIC ****
Ignoring “Fort Apache”,and the anti-racism of “The Searchers”,many critics (falsely) claim that John Ford situation an anti-Native American(Indian) tone in films that increased racism in America.Well, whatever truth there is to either side of the argument is,in this film John Ford,in his last Western,is FIRMLY on the Indians side.But is was mild (somewhat justified) critised fom casting,in VERY Valuable roles none-Idians,especially The Victor Jory,Gilbert Roland,Richardo Montalban,Dolores Del Reo,and Sal Mineo(!) roles.
This motion characterize tells the upright narrative of the Cheyenne’s spot at the hand of “THE Mammoth FATHER” and their flow,and persuit(by U.S.troops) support to their Yellowstone homeland.
On the minus side is the appearrance of Carroll Baker(miscast) as a Quaker school marm) and Karl Malden,with an”over the top performance” as a muderous,racist American(German born) General.The screenplay by James Webb(Pork Cleave Hill,The Astronomical Country,Cape Scare) is lacklustre,and the amusing interlude of Jimmy Stewart(as Wyatt Earp) with Arthur KennedyI”Doc” Holliday) and John Carradine(a dishonest gambler) and a bunch of hooligian,led by Ken Curtis is out of spot,and NOT VERY FUNNYI did lke Elizebeth Allen,was a damsel of ill-repute.This is a heart-felt film by John Ford with genuine performances by Richard Widmark as a “liberal” U.S. “horse soldier”,and LaBaker’s esteem interest,and in a cameo Edward G.Robinson.The musical collect by Alex North is OK,but I would have preferred Elmer Bernstein.An An salubrious DVD transfer.Despite my misgivings,4 stars.
SERGEANT RUTLEDGE-ANTI RACIST CLASSIC WESTERN *****
In this unheralded John Ford anti-racist Western, area in 1881,Sergeant Braxton Rutledge(Woody Stode) is accussed of rape and execute,and mostly in flashbacks the events of his accusation,his fleeing,and trial are told.The swagger is perfect and acting and direction friendly.In his third Ford film Jeffery Hunter proves again that he was a very underrated actor.His performance is reliable,also suited are Constance Towers,as Hunter’s care for interest and Braxton sympathizer,Willis Bouchey(a Ford grouchy regular),Juano Hernandez,Routledge’s fellow “Buffalo Soldier”,and sort of “father figure”.for the rest of the gloomy soldier’s,and Charleton Young(another Ford regular) as the intentially racist prosecutor.But it is Strode(a Ford regular,in attend roles) who carries the film.His pride and dignity are evident, in every scene in which he appears.There re two ways to spy at this film,or more properly to glimpse at Hollywood,either this film was device ahead of its time or Hollywood took to long to discover at U.S. urge relations,in any meaning manner.The anti-racists films,of Hollywood, did not really begin to earn an appearance until the slow 1940’s,with films such as “PINKY” and the 1950 film debut of Sidney Poitier in “NO Arrangement OUT”(notice my review) My notion is “so-called liberal Hollywood”(remember the blacklist) was and is always involved IN PROFITS,and NOT PREACHING!.
A Ample FILM by “AMERICA’S GREATEST DIRECTOR!!
Gracious DVD transfer,but no commetary.5-stars!!
For fans of John Ford this will be a long-awaited site of previously unreleased films made by the spacious between spanning a period between the 30’s till the 60’s. Titles included are a stout choice, personally I would have liked to look ‘The Hurricane’ in this one or another title starring Dorothy Lamour with whom he worked on several films, but that’s impartial my understanding!
As usual, the designate for the whole collection is reasonable, worthy more so than fair buying the individual titles.
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